“No promoter would book us; they just didn’t know where we fitted in… we were victims of being ahead of our time”: With a future Uriah Heep singer and rapidly changing style, were Lucifer’s Friend prog?

Embracing jazz, working with Krautrock icon Conny Plank and becoming early adopters of orchestration, the German band often didn’t know what would come out of their studio sessions

This story was reported by Latest from Louder. EUROPES curates Europe's most relevant coverage — read the full report at the original source.

Read full coverage at Latest from Louder →

“No promoter would book us; they just didn’t know where we fitted in… we were victims of being ahead of our time”: With a future Uriah Heep singer and rapidly changing style, were Lucifer’s Friend prog?

More from Concerts

Madison Square Garden Kept “Risk” List of Musicians, Celebrities and Tracked Sexual Orientation: Report

Court Refuses Trump’s Request To Put His Name Back on Kennedy Center

Watch ANOHNI Cover Selena and Lou Reed for Balenciaga

"After writing that, I wasn't interested in writing a novel or a play. I wanted to just write songs." The story of the song that saw Bob Dylan pivot from folk to rock

"I found Steven Tyler on top of a table and on all fours, snorting a line that extended from one end of the table to another." The wild and deadly story behind the 1979 World Series of Rock

"Jerry Garcia on a StairMaster! I'll never forget it!" Bruce Hornsby on his unique musical life, and why new album Indigo Park gives him the chills