‘Elon Musk is dangerous and crazy. And I kind of used to like him’: Interpol on their political awakening – and making their masterpiece

They were a big 00s buzz band – but looked in danger of fading out. Empowered by fatherhood and anger at war and AI, the New Yorkers explain why they ‘really showed up’ again Suits. Gnomic poetry. Moody, insistent riffs. It used to be that you’d know what to expect from NYC rockers Interpol. The band’s first two albums, in the early 00s, were blockbuster successes, shifting half a million units each thanks to dramatic songs also fit for jerking around at an indie disco. Interpol duly jumped up to a major label, but then quickly fell back down again. Their talismanic bassist Carlos Dengler quit

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