Jonathan Baldock: Held review – lick me, trap me, pull me in

Arnolfini, Bristol The English artist has created a tense world of folkloric psychedelia and pagan aesthetics that is weird, threatening – and utterly compelling Arms are spread, hands are grasping, lips are puckered: everything in Jonathan Baldock’s eerie, uncomfortable, strange exhibition of tapestries and ceramics at Bristol’s Arnolfini is reaching out to you. The whole exhibition is an invitation to be held, or maybe its cuddliness is a threat, a violent trap. The English artist has created a tense world of folkloric psychedelia and pagan aesthetics here. Don’t read any of the bumf on the

This story was reported by Culture | The Guardian. EUROPES curates Europe's most relevant coverage — read the full report at the original source.