Ana Mendieta review – were she still alive she’d be at the forefront of art in this century

Tate Modern, London This exhibition makes nothing of the Cuban-American artist’s controversial death – instead it focuses on the astounding way she left an imprint of herself on the earth using blood, feathers and gunpowder A huge colour photo of a ruined ancient site greets you outside Ana Mendieta’s engrossing exhibition and it immediately tells you this is going to be different. It’s the kind of thing that seems to belong more to a British Museum show about a lost pre-Columbian civilisation than in the concrete citadel of Tate Modern’s Blavatnik wing. Yet in her imagination, that’s where Me

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