Yvonne Rainer, Trio A review: watching this thrilling performance for free feels like an enormous privilege

Tate Modern, London With this work, the choreographer changed the course of dance – and on its 60th anniversary, viewed by babies, tourists and passers-by, it’s as beguiling and hypnotic as ever At the back of the Turbine Hall, three people are dancing. If it weren’t for the vinyl dancefloor and the white line separating it from the audience, however, you might not immediately realise it. You could be forgiven for thinking that they were performing some idiosyncratic form of Tai chi or, if this were a different dancefloor, that they had taken rather too many drugs: one rolls around on the grou

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