“We had no money, no management, and we’d been dropped by the label. But when we plugged in and played, it was the most magnificent thing”: Midge Ure’s prog moments with Ultravox, Robert Fripp, Kate Bush, Jethro Tull and, indirectly, Steven Wilson

Taking the same attitude to keyboards that he’d first taken to guitar, he regards his best 80s work as “synth prog” – and it’s difficult to disagree

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